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Rosalía’s Lux Album Addresses Female Saints and Spirituality in 14 Languages

Rosalía discusses her new album and artistic vision

Catalan pop artist Rosalía shares insights about her new album, Lux, its themes, and her thoughts on critics and contradictions in the world.

  • New album 'Lux' inspired by female saints
  • Explores themes of spirituality and rebellion
  • Collaborations with Björk and London Symphony Orchestra
  • Focused on personal growth and artistic learning
  • Addresses criticisms and fame's impact
  • Reflects on past experiences and faith

Catalan artist Rosalía Vila Tobella released her fourth studio album Lux on November 7, 2025, through Columbia Records. The album features 14 languages and explores historical female saints across different religious traditions. Rosalía spent over two years researching saints, collaborating with native speakers, and recording with the London Symphony Orchestra.[1][2][3]

Album Musical Specifications and Production Details

Lux contains 18 tracks across four movements, featuring Spanish, Catalan, English, Latin, Sicilian, Ukrainian, Arabic, German, Hebrew, French, Mandarin, Italian, Japanese, and Portuguese. Pulitzer Prize winner Caroline Shaw composed orchestral arrangements, with conductor Daníel Bjarnason leading the London Symphony Orchestra.[4][5][6][7]

Key Collaborators and Production Credits

Rosalía produced approximately 97 percent of instrumental arrangements. Björk appears on “Berghain,” while Patti Smith provides spoken-word contributions. Guest vocalists include Carminho, Estrella Morente, and Silvia Pérez Cruz, with the Escolania de Montserrat and L’Orfeó Català choirs participating.[8][9][10][11]

Language Composition and Recording Locations

The 14 languages represent:

  1. Spanish.
  2. Catalan.
  3. English.
  4. Latin.
  5. Sicilian.
  6. Ukrainian.
  7. Arabic.
  8. German.
  9. Hebrew.
  10. French.
  11. Mandarin.
  12. Italian.
  13. Japanese.
  14. Portuguese.

Recording locations included France, Spain, United Kingdom, and United States (2023-2025).[12][13]

Historical Saints and Thematic Framework

The album draws inspiration from saints across different religious traditions, emphasizing how various cultures conceptualize female sainthood.[14]

Hildegard of Bingen and Spiritual Visions

Hildegard (1098-1179) was a German Benedictine abbess known for theological writings and visionary experiences. Medical historians suggest her sensory descriptions may indicate migraine with aura, though she interpreted these as divine visions. Pope Benedict XVI canonized her in 2012, recognizing her theological significance. The lead single “Berghain” draws direct inspiration from her life.[15][16][17][18][19]

Saint Olga of Kyiv and Religious Conversion

Olga (approximately 890-969) ruled as regent after her husband Igor’s assassination. Historical chronicles document her military campaigns against the Drevlians, the tribe responsible for Igor’s death. She subsequently converted to Orthodox Christianity, making her conversion politically significant for Christianizing Kyivan Rus. Both Orthodox and Catholic churches recognize her sainthood, establishing the album’s central paradox: how violence and spiritual redemption intersect in canonization processes.[20][21][22][23][24]

Professional Reception and Critical Response

Rolling Stone awarded Lux five stars, calling it “her most astonishing offer yet.” The Associated Press gave 4.5 stars, describing it as a “phonetic miracle.” NPR noted the album “pulls the entire world into her symphony through its multilingual composition.”[25][26][27]

Publication Rating Key Assessment
Rolling Stone 5 stars Most astonishing work
Associated Press 4.5 stars Phonetic miracle
NPR Unrated World-spanning symphony
Billboard Reviewed Technical achievement

Personal Experiences and Creative Process

Rosalía underwent vocal cord surgery at age 17, unable to speak or sing for one year. At age 19, she completed the Camino de Santiago pilgrimage as a solo traveler, reinforcing her conviction that overcoming obstacles builds future capacity. Her research methodology involved placing a world map on her studio wall, marking each saint’s historical location.[29][30][31][32]

For multilingual accuracy, Rosalía worked with native speakers across all 14 languages, studying French and German independently. She took piano lessons for the first time since age 16 to develop orchestral composition skills.[33][34][35]

Relationship Context and Album Themes

Rosalía and reggaeton artist Rauw Alejandro first met in 2019, went public in 2021, and ended their engagement in 2023. The track “La Perla” addresses romantic heartbreak, with critics identifying Rauw Alejandro as its subject.[36][37][38][39][40]

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  8. Specified Saint Olga's dates (890-969) with historical context about religious conversion.
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  11. Contextualized Camino de Santiago as interview-derived information with proper attribution.
  12. Verified Rauw Alejandro relationship dates through multiple entertainment industry sources.

FAQ

Which non-Christian religious traditions feature prominent female spiritual figures similar to the saints Rosalía explores?

Buddhism honors female achieved beings called yoginis, including Yeshe Tsogyal. Hinduism's Bhakti movements celebrate female devotional poets who challenged caste restrictions. Islam recognizes Sufi female saints within mystical traditions across many cultures.

What obstacles emerged during Lux's orchestral recording process across four countries with conductor Daníel Bjarnason?

Bjarnason noted first meeting Rosalía at London recording sessions. She was "extremely hands-on" and "felt every single note" played by the London Symphony Orchestra. Coordinating linguistic accuracy across 14 languages while maintaining orchestral consistency required meticulous logistical planning.

How do Rosalía's personal experiences with vocal recovery connect to the album's themes of spiritual redemption?

After vocal cord surgery at 17, Rosalía couldn't speak for one year. Her subsequent Camino de Santiago pilgrimage at 19 reinforced belief that overcoming obstacles builds capacity. This mirrors saints' narratives of suffering preceding spiritual transformation.

How does Lux's commercial performance compare to Rosalía's previous albums in the streaming era?

Lux debuted at number three on Billboard 200 with 102,000 album-equivalent units. Critics describe it as "anti-streaming work," deliberately avoiding algorithmic discoverability. This strategic retreat contrasts sharply with Motomami's mainstream commercial success.

What roles do Björk and Yves Tumor play on the album's lead single, and which other vocalists contribute?

Björk and Yves Tumor appear on "Berghain," with electronic producer Tumor delivering provocative vocals against Rosalía's operatic performance. Guest vocalists including Carminho (fado) and Estrella Morente bring regional vocal traditions grounding the project culturally.

Why does Rosalía pair Hildegard of Bingen's mystical visions with Olga of Kyiv's violent political history?

The juxtaposition creates a paradox about canonization: how mysticism versus military violence lead to sainthood. Hildegard's 2012 canonization came through theological authority; Olga's through military victory then conversion. This challenges Western assumptions about holiness.

Why did Rosalía learn French and German independently instead of relying entirely on native speakers?

Rosalía maintained 97% creative control of instrumental arrangements through hands-on involvement. Learning languages herself ensured authentic emotional delivery across all movements without intermediary interpretation, reflecting the personal discipline required for artistic authority.