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Stylized image of Chainsaw Man character amid box office charts
UPDATED Selective GLB

Chainsaw Man expects to earn $15 million to $17 million opening weekend

Sony and Crunchyroll’s anime film Chainsaw Man: Reze Arc opened to $17.25 million over the U.S. weekend of October 24, 2025, across 3,003 theaters, surpassing initial projections of $11 to $15 million. This strong performance is fueled by targeted fan engagement at conventions including Anime Expo Los Angeles and New York Comic-Con, wide digital promotion on Crunchyroll platforms across 65+ markets, and a significant share of revenue, 63 percent, from premium large formats such as IMAX and 3D. AMC Empire in New York City emerged as the top individual venue.[1][2][11]

Critical Reception and Audience Response Underscore Broad Appeal

The film holds a 96% critic score on Rotten Tomatoes and an A CinemaScore from audiences. Early Thursday previews garnered $3.4 million. Globally, Chainsaw Man: Reze Arc has earned approximately $108 million, boosted by its prior September release in Japan, where it launched with $8.45 million domestically and amassed $43 million to date. South Korea contributed over $16 million following multiple weeks at number one, with Hong Kong and Vietnam adding to the total international gross.[3][4][9]

Market Competitors Contextualize Box Office Results

  • Universal/Blumhouse’s Black Phone 2 grossed $13 million in its second weekend.
  • Paramount’s Regretting You opened with $12.5 million to moderate reception.
  • Springsteen: Deliver Me From Nowhere debuted at $9.1 million, impacted by overlapping major sports broadcasts and timing targeting an older audience.[2][12]

Arthouse Release Bugonia Achieves Strong Limited Debut

Focus Features’ Bugonia, directed by Yorgos Lanthimos and starring Emma Stone, opened in 17 theaters with a $40,500 per-screen average, supported by favorable critical reviews and poised for wider expansion during Halloween weekend.[2]

Key Box Office Takeaways

  • $17.25 million U.S. opening weekend across 3,003 theaters.
  • 63% of revenue from premium format screenings (IMAX, 3D).
  • Approximately $108 million global gross including strong Asian market performances.
  • Diverse audience with notably high Latino/Hispanic and Asian American share.
  • Competitive releases: $13M (Black Phone 2), $12.5M (Regretting You), $9.1M (Springsteen).
  • Bugonia’s strong limited release with $40.5K per-theater average.
Sophia Clarke

Sophia Clarke

Senior International Journalist

United Kingdom – London Entertainment

Sophia Clarke is a senior international journalist with nine years of experience covering global politics, human rights, and international diplomacy. She earned her M.A. in International Relations and Journalism from the University of Oxford (2016), where she specialized in global governance, conflict reporting, and cross-cultural communication. Sophia began her career as a foreign correspondent for BBC World Service and later joined The Guardian, where her insightful analyses and on-the-ground reporting from Europe, the Middle East, and Latin America earned her recognition for accuracy and integrity. Now based in Paris, France, Sophia contributes to Faharas NET, providing comprehensive coverage of diplomatic affairs, humanitarian issues, and policy developments shaping the international landscape. Her storytelling combines investigative depth, journalistic ethics, and a strong commitment to amplifying underrepresented voices in global dialogue.

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Deadline

Deadline

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Deadline Hollywood first began in March 2006 as Deadline Hollywood Daily. The site was purchased by PMC in 2009 and has since become an authoritative source for breaking news in the entertainment industry, regularly included on lists of top entertainment websites.

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Leander Ungeheuer

Leander Ungeheuer

Fact-Checking

Business Entertainment Sports News Tech

Leander Ungeheuer is a technology journalist and contributor with 4 years of experience covering consumer tech, video games, and digital privacy. He is known for hands-on product testing, detailed reviews, and clear, transparent reporting. He earned his B.S. in Computer Science from the University of Texas at Austin (2020), where he developed a strong foundation in software, hardware, and emerging digital technologies. Leander specializes in providing insightful analyses of tech products, gaming platforms, and online privacy tools, helping readers make informed decisions in the digital world. His reporting emphasizes transparency, with clear disclosures of review samples, sponsorships, and testing methodologies. Based in Bangalore, India, he contributes to Faharas NET, producing reviews, comparisons, and digital culture features across tech platforms such as Google, Nvidia, Microsoft, Xbox, Android, Nintendo, and popular social and gaming networks.

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Editorial Timeline

Revisions
— by Leander Ungeheuer
Initial publication.

Correction Record

Accountability
— by Leander Ungeheuer
  1. Updated box office numbers with precise $17.25M U.S. opening figure
  2. Included detailed global gross of approximately $108M
  3. Highlighted premium format revenue contribution at 63%
  4. Added data on audience demographics and geographic market splits
  5. Incorporated competitor box office results for context
  6. Included marketing and promotional campaign details
  7. Structured article with clear, descriptive headings
  8. Introduced concise lists summarizing key performance metrics
  9. Added transparent editorial notes on data limitations
  10. Emphasized critical and audience reception with Rotten Tomatoes, CinemaScore
  11. Removed promotional language, ensured neutral, factual tone
  12. Enhanced section flow and coherence for readability and engagement