Disney's 'Ares' aims for a mid-to-high $30 million opening weekend, bolstered by Indigenous Peoples' Day. Competition from sports events may impact viewership.
'Ares' projected at mid-to-high $30M
Friday earnings estimated at $15M
Upcoming Indigenous Peoples' Day weekend
45% of K-12 schools closed Monday
Competition from MLB and NFL
Rotten Tomatoes audience score at 86%
Disney’s ‘Ares’ is projected to earn between $30 million over its opening weekend, with an estimated $15 million on Friday. The film’s success may depend on a strong Saturday and Sunday at approximately 4,000 theaters.
Ares Eyes Opening Weekend Box Office
Tron: Ares opened with a strong performance, earning approximately $45 million to $50 million domestically in its opening weekend. This marks a significant improvement over earlier conservative estimates of $30 million and surpasses the $44 million debut of the original Tron: Legacy from 2010.[1][2][3]
Thursday Previews and Audience Reception
The film garnered $4.8 million in Thursday night previews, a solid indicator of strong audience interest. Tron: Ares holds an 86% audience score on Rotten Tomatoes, reflecting positive viewer reception that likely supports its box office success.[2][4]
Competition and Market Context
The movie opened during the Indigenous People’s Day holiday weekend, facing competition from Major League Baseball playoffs and NFL games. Despite this, it maintained strong ticket sales across approximately 4,000 theaters.[1][2]
Production and Franchise Context
Directed by Joachim Rønning and produced by star Jared Leto alongside former Disney production chief Sean Bailey, Tron: Ares had a production budget of around $180 million. It is positioned as a high-profile reboot within the Tron franchise, aiming to revitalize interest with modernized visual effects and storytelling.[2][1]
Sophia Clarke is a senior international journalist with nine years of experience covering global politics, human rights, and international diplomacy.
She earned her M.A. in International Relations and Journalism from the University of Oxford (2016), where she specialized in global governance, conflict reporting, and cross-cultural communication.
Sophia began her career as a foreign correspondent for BBC World Service and later joined The Guardian, where her insightful analyses and on-the-ground reporting from Europe, the Middle East, and Latin America earned her recognition for accuracy and integrity.
Now based in Paris, France, Sophia contributes to Faharas NET, providing comprehensive coverage of diplomatic affairs, humanitarian issues, and policy developments shaping the international landscape. Her storytelling combines investigative depth, journalistic ethics, and a strong commitment to amplifying underrepresented voices in global dialogue.
Deadline Hollywood first began in March 2006 as Deadline Hollywood Daily.
The site was purchased by PMC in 2009 and has since become an authoritative source for breaking news in the entertainment industry, regularly included on lists of top entertainment websites.
Elena Voren is a senior journalist and Tech Section Editor with 8 years of experience focusing on AI ethics, social media impact, and consumer software. She is recognized for interviewing industry leaders and academic experts while clearly distinguishing opinion from evidence-based reporting.
She earned her B.A. in Cognitive Science from the University of California, Berkeley (2016), where she studied human-computer interaction, AI, and digital behavior.
Elena’s work emphasizes the societal implications of technology, ensuring readers understand both the practical and ethical dimensions of emerging tools. She leads the Tech Section at Faharas NET, supervising coverage on AI, consumer software, digital society, and privacy technologies, while maintaining rigorous editorial standards.
Based in Berlin, Germany, Elena provides insightful analyses on technology trends, ethical AI deployment, and the influence of social platforms on modern life.
Kamar Mahmoud serves as the Managing Editor of the English Division at Faharas website, where she plays a pivotal role in maintaining the site's editorial excellence. With a keen eye for detail and a commitment to journalistic integrity, Kamar oversees the entire content lifecycle from writer assignments through to final publication. Her responsibilities include managing editorial workflows, providing guidance to writers, and ensuring that every article published meets Faharas website's rigorous standards of quality, accuracy, and clarity. Through her leadership, she helps maintain the site's reputation for delivering reliable and well-crafted content to its readership.