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Steve Coogan and libel settlement for The Lost King in media-style design.
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Richard Taylor Wins Defamation Settlement Against Steve Coogan Film

Steve Coogan Settles Libel Claim Over 'The Lost King'

Steve Coogan and his production team have settled a libel case regarding 'The Lost King,' with the plaintiff receiving substantial damages and a clarification added to the film.

  • Coogan settles libel claim
  • Substantial damages awarded
  • Film portrayal criticized as defamatory
  • Character depicted as arrogant villian
  • On-screen clarification added
  • Coogan remains proud of film

Richard Taylor, former deputy registrar at the University of Leicester, has won a landmark defamation settlement against Steve Coogan, Baby Cow Productions (BBC Studios-backed), and Pathé Productions. The High Court finalized the settlement on October 27, 2025. Taylor receives substantial damages with no trial required.[1][2][3][4][5][6]

Settlement Terms Approved by High Court Judge

Mrs Justice Collins Rice presided over the hearing on October 27, 2025, approving binding settlement terms:

  • Substantial damages payment to Taylor (amount confidential per court order)
  • Damages include Taylor’s legal costs
  • On-screen disclaimer added to all future film releases
  • Case terminated before trial begins

Mrs Justice Collins Rice stated: “These were momentous historical events and finding yourself represented in a feature film about them must be an unsettling experience. I hope this statement and settlement help Mr Taylor move forward. It is much to the credit of both parties and their legal teams that the huge expense, stress and delay of a trial have been avoided.”[2][6]

June 2024 Ruling and October 2025 Settlement Hearing

Judge Jaron Lewis issued a June 14, 2024 summary judgment ruling establishing Taylor’s legal case had merit. He found the film portrays Taylor as having “knowingly misrepresented facts to the media and the public” about Richard III’s discovery, acting “smug, unduly dismissive and patronizing.” This ruling allowed the case to proceed to trial.[5][7][1]

Mrs Justice Collins Rice presided over the October 27, 2025 settlement hearing, where both parties announced agreement. No trial occurred.[6][8][2]

The Film’s Defamatory Portrayal of Richard Taylor

The Lost King (2022), directed by Stephen Frears and co-written by Steve Coogan and Jeff Pope, dramatizes the 2012 discovery of King Richard III’s remains. Lee Ingleby portrays the character named Richard Taylor.

The on-screen character was depicted with these allegations:

  • Dismissive and patronizing toward historian Philippa Langley
  • Misogynistic in treatment of Langley’s research
  • Described as “weasel-like” and “devious”
  • Excluded Langley from the press conference announcing discovery
  • Falsely claimed credit for the discovery
  • Depicted as “smug, unduly dismissive and patronizing”[9][10]

Richard Taylor was represented by Daniel Jennings (defamation partner) and Simran Kang at Shakespeare Martineau, with barristers William Bennett KC and Victoria Jolliffe at 5RB Chambers.[3][11]

Taylor stated: “The producers have accepted that their film is untrue and defamatory. It is a reckless hit job on my reputation. The producers will pay substantial damages and cover my legal team’s significant costs.”[11][3]

On the core issue, Taylor emphasized: “The discovery was a triumph of collaboration. Philippa Langley initiated the project; my academic colleagues led the archaeological search; my role was deploying university resources and expertise.”[3][11]

University of Leicester’s Official Position

The University of Leicester stated: “Justice has prevailed and truth has triumphed. The discovery represents partnership strength between the university, Leicester City Council, and the Richard III Society. University archaeologists led the dig and located the remains.”[11][3]

Timeline Event
August 2012 Richard III’s remains discovered beneath Leicester car park
October 7, 2022 Film released in United Kingdom
June 14, 2024 Judge Jaron Lewis issues summary judgment ruling
October 27, 2025 Mrs Justice Collins Rice approves settlement
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Editorial Timeline

Revisions
— by Howayda Sayed
  1. Updated the article with a featured image.
  2. Added FAQs consistent with the content focus.
— by Michael Brown
  1. Corrected judges’ names and court dates accurately.
  2. Added full legal details and official statements.
  3. Expanded allegations to six clear points.
  4. Strengthened credibility with 23 verified sources.
  5. Specified Langley’s condition as ME/CFS.
  6. Improved structure with headings and tables.
  7. Optimized SEO title and meta descriptions.
  8. Included verified university and legal quotes.
  9. Maintained neutral, professional tone.
  10. Increased overall accuracy and publication readiness.
— by Michael Brown
Initial publication.

Correction Record

Accountability
— by Michael Brown
  1. Judge's name corrected from Jaron Lewis throughout to Mrs Justice Collins Rice settlement.
  2. Settlement judge properly named and her full statement directly quoted in article.
  3. Screenplay credit expanded to include Jeff Pope as co-writer with Coogan.
  4. Coogan's film role clarified as John Langley, Philippa's estranged husband, supporting.
  5. Taylor's legal team fully named: Jennings, Kang, Bennett KC, Jolliffe.
  6. BBC Studios ownership of Baby Cow Productions disclosed for corporate accountability.
  7. Philippa Langley's condition specified as myalgic encephalomyelitis, not generic illness reference.
  8. Character depiction expanded from three to six allegations: weasel-like, devious added.
  9. Press conference exclusion identified as core defamatory act in character portrayal.
  10. University of Leicester official statement included confirming discovery collaboration and vindication.
  11. Two judicial events properly distinguished: June ruling versus October settlement hearing.
  12. Mrs Justice Collins Rice's direct quote included regarding parties' legal teams.

FAQ

Who was Philippa Langley, and what specifically motivated her Richard III discovery search?

Philippa Langley was an amateur historian and Richard III Society member who initiated the 2012 search for the king's remains. Living in Edinburgh with myalgic encephalomyelitis, she became obsessed with Richard III after attending a stage performance, joining fellow enthusiasts to locate his lost remains beneath Leicester's car park.

What legal reasoning allowed Judge Lewis to find the film's portrayal defamatory in June 2024?

Judge Jaron Lewis ruled that depicting Taylor as knowingly misrepresenting facts to media and public was defamatory. He found the character consistently portrayed as smug, dismissive, and patronizing, suggesting dishonesty regarding the discovery. However, Lewis rejected claims the film suggested misogyny or disability mockery.

How does Baby Reindeer's defamation case parallel The Lost King legal settlement?

Netflix's Baby Reindeer faces a $180 million defamation lawsuit from Fiona Harvey over her portrayal in the series. Like The Lost King case, it highlights growing legal risks when films market themselves as true stories about identifiable living individuals without sufficient fact-checking or legal consultation.

What specific changes will appear in The Lost King following the settlement agreement?

An on-screen disclaimer will be added stating: the character Richard Taylor is fictional and does not represent the real Mr. Taylor, who served as Deputy Registrar and acted with integrity. No major film edits will be made; only this clarification card precedes existing opening credits.

Why did both parties choose settlement over proceeding with a full trial in 2025?

Settlement avoided costly legal expenses, public stress, and unpredictable trial outcomes for both sides. Defendants escaped having to defend disputed claims in open court with jury involvement. Justice Collins Rice acknowledged both parties' legal teams for avoiding the huge expense, stress, and delay of full trial litigation.

What does this case mean for filmmakers adapting recent historical events into film?

The case signals that falsely suggesting identifiable professionals committed dishonest conduct—such as lying or misappropriating credit—constitutes actionable defamation, not protected creative expression. Filmmakers must balance dramatization with accuracy about verifiable professional conduct. Daniel Jennings warns settlements cost less than litigation but damage reputations.